Composition IV, is an explore of the notion of relationships of both in content and on the surface. It is making and re-exploring lines and shapes that have become a long work in progress for the past ten years. This composition project shares similarities to the previous composition but yet it is a process of void-making. The effects of invisibility often are more interesting than visibility. Composition IV is a more dynamic and lengthier sequence, which resulted in further exploration of each piece. The final product is hand sketches, which have become a little softer tone and more emotional than previous computerized composition pieces. The touch of color, a single color of yellow, created an architectural look; yet, they are not meant to look architectural but have the potential to be developed further as architectural drawings. The single use of yellow color highlights some of the voids which is the concept of the negative spaces.